Kamis, 02 Februari 2012

[P278.Ebook] Free Ebook Record Label Marketing: How Music Companies Brand and Market Artists in the Digital Era, by Clyde Philip Rolston, Amy Macy, Tom Hutchison,

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Record Label Marketing: How Music Companies Brand and Market Artists in the Digital Era, by Clyde Philip Rolston, Amy Macy, Tom Hutchison,



Record Label Marketing: How Music Companies Brand and Market Artists in the Digital Era, by Clyde Philip Rolston, Amy Macy, Tom Hutchison,

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Record Label Marketing: How Music Companies Brand and Market Artists in the Digital Era, by Clyde Philip Rolston, Amy Macy, Tom Hutchison,

Record Label Marketing, Third Edition is the essential resource to help you understand how recorded music is professionally marketed.

Fully updated to reflect current trends in the industry, this edition is designed to benefit marketing professionals, music business students, and independent artists alike.

As with previous editions, the third edition is accessible for readers new to marketing or to the music business. The book addresses classic marketing concepts while providing examples that are grounded in industry practice.

Armed with this book, you’ll master the jargon, concepts, and language to understand how music companies brand and market artists in the digital era.

Features new to this edition include:

  • Social media strategies including step-by-step tactics used by major and independent labels are presented in a new section contributed by Ariel Hyatt, owner of CYBER PR.

    An in-depth look at SoundScan and other big data matrices used as tools by all entities in the music business.
  • An exploration of the varieties of branding with particular attention paid to the impact of branding to the artist and the music business in a new chapter contributed by Tammy Donham, former Vice President of the Country Music Association.
  • The robust companion website, focalpress.com/cw/macy, features weblinks, exercises, and suggestions for further reading. Instructor resources include PowerPoint lecture outlines, a test bank, and suggested lesson plans.

  • Sales Rank: #914956 in Books
  • Published on: 2015-12-16
  • Released on: 2016-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.11" w x 7.50" l, .0 pounds
  • Binding: Paperback
  • 492 pages

About the Author

Amy Macy is Professor in the Department of Recording Industry at Middle Tennessee State University. She is the recipient of the Distinguished Educator in Distance Learning and the Outstanding Achievement in Instructional Technology. She has worked for labels including MTM, MCA, Sparrow Records, and the RCA Label Group where she marketed Martina McBride, Kenny Chesney, and Alabama. Amy was responsible for national retail sales at Walmart, Kmart, Target, and Best Buy, while coordinating marketing strategies nationally with RCA’s distributor Bertelsmann Music Group. She has been an artist in residence at the Country Music Hall of Fame.

Clyde Philip Rolston is Professor of Music Business in the Mike Curb College of Entertainment and Music Business at Belmont University. Prior to joining the faculty at Belmont University he was a Vice President of Marketing at Centaur Records, Inc. While with Centaur Records, Dr. Rolston engineered and produced many projects, including recordings by the Philadelphia Trio and the London Symphony Orchestra. He is an active member of the Music and Entertainment Industry Educators Association. Dr. Rolston received a Ph.D. in Marketing from Temple University and has taught marketing to music business students for twenty years.

Paul Allen is Associate Professor in the Department of Recording Industry at Middle Tennessee State University and co-author of Record Label Marketing, also published by Focal Press. He is also a frequent lecturer at other universities on artist management and other music business subjects. His career work has included radio, TV, political management, and the music business.

The late Tom Hutchison was a professor of marketing in the Department of Recording Industry at MTSU, but was on leave to serve as the director of the School of Business and Management at Husson University. He worked with a wide range of popular artists including Faith Hill, The Dixie Chicks, The Roots, and Beck. Tom also conducted market research projects for Sony, MCA/Universal, DreamWorks, and Warner Music Group.

Most helpful customer reviews

0 of 0 people found the following review helpful.
the paper version is so bad quality and the images of the graphics are so ...
By Arnold
the paper version is so bad quality and the images of the graphics are so poor so expensive to have this quality.

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[P278.Ebook] Free Ebook Record Label Marketing: How Music Companies Brand and Market Artists in the Digital Era, by Clyde Philip Rolston, Amy Macy, Tom Hutchison, Doc
[P278.Ebook] Free Ebook Record Label Marketing: How Music Companies Brand and Market Artists in the Digital Era, by Clyde Philip Rolston, Amy Macy, Tom Hutchison, Doc

Rabu, 01 Februari 2012

[C364.Ebook] Free Ebook The Lady of Shalott, by Alfred Tennyson

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The Lady of Shalott, by Alfred Tennyson

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The Lady of Shalott, by Alfred Tennyson

Designed and illustrated by Graeme Davison, beautiful black and white drawings.

  • Published on: 1960
  • Binding: Paperback
  • 18 pages

Most helpful customer reviews

11 of 12 people found the following review helpful.
The Lady of Shallot, the Genevieve Cotes Edition: A Pictorial Travesty!
By T. M. Johnson
When I opened my copy of the Visions in Poetry edition of Tennyson's "The Lady of Shalott," I was first astounded and then bewildered by Genevieve Cotes' illustrations of the Tennyson poem. The purpose of pictorial content is to support the text. That's what I expected and thus my criticism of this edition. The poem is given in its entirety, its flights of fancy as beautiful and poignant as ever: the poem itself is impeachable. The illustrations, however, show little regard for the subject matter or chronology of the poem. With Ms. Cotes it seems the artwork is what's important here and not the text. Didn't she read the poem? Cotes' illustrations are anachronisms and this is the problem. The setting appears to be France, Camelot depicted as an early twentieth century French city. (I know the character of Lancelot is a French contribution to the Arthurian Legend, but Cotes' interpretation is ridiculous!) The first illustration presents what appears to be a Parisian couple dressed in 1920's couture. In the background one sees an auto on a bridge and a city skyline hardly medieval.

Tennyson's poem, composed between the years of 1832-42, drew its inspiration from Sir Thomas Malory's "Le Morte Darthur," a compilation of Arthurian romances printed by William Caxton in 1485, in particular the romance "The Fair Maid of Astolat" in which a summary states: "(And, as the booke sayth, she keste such a love unto sir Launcelot that she cowde never withdraw hir loove, wherefore she dyed. And her name was Elayne le Blanke.)" Tennyson takes the story of Elaine and Lancelot and restructures it ("Lancelot and Elaine") in blank verse in his "Idylls of the King." Elaine's story further inspired "The Lady of Shalott," in which the maiden's unrequited love is a kind of curse which causes her to live a life of illusion through the images in the mirror on her wall. The curse "is on her" if she turns her back on the mirror, the life it reflects, turns to the window of her tower and looks out upon the reality of the outside world. The only way she can connect with reality and the world beyond and escape the curse is to weave the mirror's images into a tapestry.

For textual support, then, one would expect artwork depicting medieval dress and architecture, knights with heraldic crests on their shields. Cotes' Lancelot, though astride a charger, wears a military trenchcoat vintage WWI, sports a medal-laden lapel and what appears to be "motorcycle" goggles riding above the brim of his helmet. Where's the rendering of the Golden Age of Chivalry?? In Part One, stanza three, "heavy barges" and "the shallop," (a small sailboat), are given as a modern fishing boat with one of the crew setting or pulling a net. In the next stanza we see "reapers reaping early" wearing sunglasses as protection from the morning glare. In Part iv, stanza four, Cotes has the dead Fairy Lady float past a river or canal front, drifting by the facade of a twentieth century city (hardly the Camelot I envision) and promenade replete with sidewalk cafe and lounging patrons. (Strange, too, that Cotes' "Fairy Lady" sprouts wings when she's outside her tower. Perhaps the Lady only wears them when she "goes out?") Before Cotes sat down at her easel or drawing board, perhaps she should have consulted two beautiful nineteenth century renderings of The Lady of Shalott by William Holman Hunt and John William Waterhouse. Both paintings capture faithfully the medieval times of Arthuriana; it is apparent both artists read the text.

If it weren't for its helpful back material, I would have given this edition only a one star rating. I recently shared Tennyson's beautiful story with my mother and purchased this illustrated version for her birthday present. What a disappointment! In the case of this illustrated version of "The Lady of Shalott," the "search inside this book" feature would have been most helpful.

3 of 3 people found the following review helpful.
Elaine, the Lady of Shallot
By bon homme bill
I love the poem, always have.The Waterhouse painting on the cover is lovely. In my mind eveything about this poem is lovely. I disagree with much of the commentary regarding the poem's "meaning." Some things just stand on their own and require no analysis.

2 of 2 people found the following review helpful.
Everything I expected
By noquiexis
This booklet was exactly as advertised. The introduction by Jocelyn Almond is a fairly lengthy analysis if the work. Each stanza of the poem occupies its own page. The cover illustration is "The Lady of Shalott" (1888) by John William Waterhouse. Other illustrations include a photograph of Tennyson and details of works by William Holman Hunt, Edmund J. Sullivan, W. E. F. Britten, and Dante Gabriel Rossetti. This would make a fine gift for any poetry lover, and especially for fans of Lord Tennyson.

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Senin, 30 Januari 2012

[M765.Ebook] Ebook Elvis Presley: A Life in Music: The Complete Recording Sessions, by Ernst Jorgensen

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Elvis Presley: A Life in Music: The Complete Recording Sessions, by Ernst Jorgensen

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Elvis Presley: A Life in Music: The Complete Recording Sessions, by Ernst Jorgensen

The definitive story of Elvis's recording career -- filled with unseen photos and unexpected revelationIn the last decade, the image of Elvis Presley has been changed forever -- spurred in part by a major CD reissue campaign covering Presley's entire recording career. Once merely a subject of scandal, Elvis Presley is coming back into focus for what he was: the greatest performer of our time.Elvis Presley: A Life in Music completes the picture. Ernst Jorgensen -- the man behind RCA's reissue program -- has been given unlimited access to the Presley recording vaults, and with this book he puts us in the studio for every late-night session of his 24-year career. Far more than a recording-sessions guide, A Life in Music reveals -- in an in-depth narrative and hundreds of photographs -- a figure far savvier and more complex than we've known: instinctive musician, driven perfectionist, a one-man industry brought down by the very system built to support him. The most complete picture we've ever had of Elvis Presley the artist, this book is a musical landmark.

  • Sales Rank: #1118883 in Books
  • Published on: 1998-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 8.25" w x 1.50" l,
  • Binding: Hardcover
  • 454 pages

From Publishers Weekly
As director of RCA's Elvis catalogue, Jorgensen is one of the key figures behind the Elvis Presley CD box sets RCA has issued in recent years. This book makes a worthy companion to those historic releases. All of the King's known recordings?including rehearsals, live recordings and recordings made in the privacy of his hotel rooms?are approached with the same reverence that his studio sessions inspire, providing a framework for a narrative of Elvis's life. Indeed, eminent Presley biographer Guralnik (Last Train to Memphis) writes that, given Jorgensen's attention to detail, the author is "either a madman or a great detective." While so many Presley books are written by authors who never seem to overcome their poetic sense of awe regarding the King, Jorgensen, being an RCA executive, couches the story of Presley's life in the gritty details of the artist's work and gets past the myths, giving readers a glimpse of what it might have been like to be Elvis. Hence, his is a truly insightful book. 150 photos in color and b&w. Editor, Calvert D. Morgan.
Copyright 1998 Reed Business Information, Inc.

About the Author
Ernst Jorgensen produced many RCA Elvis box sets, for which he was nominated for a Grammy Award. He lives in Denmark.

Most helpful customer reviews

1 of 1 people found the following review helpful.
THE book to read if you are a lover of Elvis' music
By L. Bethkenhagen
At last a book not about the women Elvis had, the Memphis Mafia, the Colonel, No, this book is about the man and what he was after all most famous for - his wonderful music. This book is painstakingly researched, with enormous attention to detail and beautifully put together with many great pictures that I had never seen before. Jorgensen really did his homework on this and his admiration for Elvis comes through in his writing.

It is great to see who played what at every recording session and how Elvis felt about his music - a great perfectionist who was totally frustrated about many of the inferior songs he had to sing in the even more inferior films he later had to make. When you read how many takes on songs he did in the studio to get things just right, you just wonder how his wonderful voice held out all those years, especially as he, after exhausting recording sessions lasting hours, would sing gospel songs throughout the night as well. Yes, Elvis was truly an "Olympic Champion of Singing" as someone once put it. A jewel of a book for any true Elvis fan and full marks to Jorgensen.

0 of 0 people found the following review helpful.
If you're interested in the MUSIC Elivs made, this ...
By Mr Black
If you're interested in the MUSIC Elivs made, this is THE book for you! Complete session info, with a running timeline (it is a narrative, not just a sessions listing...) and relevant pictures to the period, you'd be hard pressed to find a more thorough document. After seeing book after book about: his upbringing, his girlfriends, his diet, whatever; this was the book I was looking for!

1 of 1 people found the following review helpful.
The Elvis Music Bible
By Fred Shigelbort
This is a catalog of ALL of the songs that Elvis ever recorded. Some of the of the other reviewers wrote that it is JUST about the music. But, in fact, there is a lot of commentary about things that were going on in Elvis' life during the recordings, too. So, this is a great chronology of his personal life that went along with the recordings. This is somewhat unique for books about Elvis, because while you read that this happened or that happened, it is hard to put it all on timeline. The bonus with this book is that there are a whole string of new people that you learn about, because you hear about the record company staff, the recording artists, and other people related to the production of his albums and even his movies. But, on top of everything, the music is ALL here!

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Minggu, 29 Januari 2012

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  • Published on: 1709
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face. As myoid boss when I joined the discout market - who had worked as a "bond-salesman" on Wall Street during the "Great Crash" of 1929, through the Credit Anstalt crash, and served in British military intelligence during the Second World War - always used to say: "Remember! The telephone is not a secure instrument. " During the 1960s, foreign banks had flooded into London in pursuit of Eurodollar deposits. Arabs were spending their new found oil wealth in West End casinos. Ex­ change Control regulations were tight. In 1971, when our story begins, new "banks" on the fringe took advantage of the property boom, fuelled by Tory Chancellor Barber's first Budget. The discount houses (whose functions and special privileges at the Bank were soon arcane) became active traders in US dollar and foreign currency paper, and took stakes in the new money brokers (or "barrow boys," as the snobs called them, since the sharpest brokers were mainly Cockney Eastenders). While the "gentleman's club" was quickly being replaced by the fast growing "interbank swaps" market (now LIFFE), the discount houses had found a new role to pla- opening representative offices overseas (Gillett Brothers, where I was then chairman, in Southern Africa, UAE, Australia and Singapore, with brokering subsidiaries in Europe, Far East, and North America) - gathering market intelligence around the world, as the invisible "eyes and ears" of the Bank of England.

  • Sales Rank: #13348184 in Books
  • Published on: 2009-12-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .41" w x 6.00" l, .57 pounds
  • Binding: Paperback
  • 176 pages

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Hopping vampires, seductive spirits and giant predatory tongues! Tsui Hark's A Chinese Ghost Story in 1987 gave many Western viewers their first taste of supernatural thrills, Oriental style. Yet the film was a comparatively late entry in a well-established genre. From Sammo Hung's Spooky Encounters to King Hu's valedictory Painted Skin, the 1980s Hong Kong ghost film cycle produced a stylish and distinctive body of work that compares with the best of Universal and Hammer.

  • Sales Rank: #2116998 in Books
  • Brand: Brand: Critical Vision
  • Published on: 2003-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, .75 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

Review
Very informative and well-researched... a breakthrough work on this underrated genre -- Bey Logan, author, HK cinema expert, film producer and writer

Excerpt. © Reprinted by permission. All rights reserved.
Welcome to the strange and wonderful world of Hong Kong horror movies, filled to bursting with flying ghosts, hopping vampires, seductive spirits, tree demons, evil sorcerers, living skeletons, possessed limbs and giant predatory tongues. Tsui Hark’s A Chinese Ghost Story in 1987 gave many Western viewers their first taste of supernatural thrills — Oriental style — yet the film was a comparatively late entry in a well-established genre. From Sammo Hung’s ground-breaking Spooky Encounters to King Hu’s valedictory Painted Skin, the 1980s Hong Kong ghost film cycle produced a stylish and distinctive body of work that compares with the best of Universal and Hammer. According to the standard version of events, Hong Kong cinema during the late 1970s amounted to little more than a series of tired Bruce Lee rip-offs. The posthumous release of Game of Death, which blended unused Lee footage with unconvincing ‘doubles’, merely underlined the film industry’s creative bankruptcy. Like most established movie lore, this bleak scenario doesn’t tell the full story by any means. For example, veteran stuntman, fight choreographer and supporting actor Sammo Hung had recently emerged as both a major star and a gifted, imaginative director. While most of his early work followed the standard formula of righteous kung fu vengeance, Hung was clearly a film-maker to watch. On the lookout for new material, Sammo Hung decided to blend supernatural elements with the usual high-impact martial arts and broad humour. The end result, Spooky Encounters, or Encounter of the Spooky Kind, proved a runaway success, creating a new genre: the kung fu ghost comedy. Around the same time, Hong Kong’s thriving television industry produced such notable ‘New Wave’ talents as Ann Hui and Tsui Hark, who’d both make major contributions to the ghost movie cycle. Leading action directors John Woo, Ronny Yu and Ringo Lam all worked on horror films early in their careers. Hong Kong superstar Chow Yun Fat romanced witches, fought demons and blew up monsters before he ever donned dark glasses and a trenchcoat. Five years on from Spooky Encounters, Sammo Hung produced Mr Vampire, arguably his greatest contribution to the genre. Along with Tsui Hark’s A Chinese Ghost Story, another major hit, Mr Vampire’s far-reaching success kept the spooky movie alive until the early 1990s. While the Hong Kong film industry still turns out horror movies on a regular basis, the great days of the ghost genre are long gone. Shifting audience tastes, industry crises, creative exhaustion and a talent exodus to the United States all played a part in this decline. The genre rarely attracts major film-makers now, mostly operating at the extreme low budget end of the industry. The Troublesome Night series, which currently stands at eighteen entries, is more notable for its survival in the face of meagre box-office returns than for the intrinsic quality of the films. On the bright side, the critical and commercial success of Ann Hui’s Visible Secret and the Pang Brothers’ The Eye suggests that the Hong Kong ghost genre may become fashionable again.

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3 of 3 people found the following review helpful.
No Dreadful Melody here!
By Sheckie Green
Somehow Daniel O'Brien's book Spooky Encounters came out without me noticing. I picked this book up a few weeks back and just couldn't put it down. O'Brien gives the most comprehensive history of Hong Kong horror films during the Golden Age of HK filmmaking (roughly the '70s through 1997) I've had the pleasure of reading since the second issue of Colin Geddes's groundbreaking zine Asian Eye.

At 180 pages, Spooky Encounter is jam-packed with information, reviews, and comparisons of HK Horror. O'Brien breaks topics down into the history of HK Horror, the Mr. Vampire series, the influential films of Tsui Hark, Category III blends of sex and scares, and the last days of HK Horror films in the wake of the '97 takeover. O'Brien ties the popularity of films back to their native HK box office gross which provides an interesting insight on how these films were received at the time compared to their legacy (or lack thereof).

O'Brien's prose makes the book easy to read. Moreover, his writing is clear and concise which helps to make sense of some of the more obtuse film plots and the use of Eastern legends in others. O'Brien doesn't take the easy road of gushing over the food films and demonizing the poor ones. His tone is even-handed though he doesn't shy away from taking some laugh out loud potshots when necessary. One of my favorite lines comes from his review of JULY 13TH / QI YUE SHI SAN ZHI LONG PO he writes, "While Alan and Laura appear to be back together, the enigmatic ending hints that their happiness will be short-lived. It also suggests that Wellson Chin and Abe Kwon didn't know how to end their film."

Highly informative and well-crafted, Spooky Encounters is a must-read for genre fans and cinephiles interested in an under-appreciated movement of cinema.

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Computer Networks, 5/e is appropriate for Computer Networking or Introduction to Networking courses at both the undergraduate and graduate level in Computer Science, Electrical Engineering, CIS, MIS, and Business Departments.

Tanenbaum takes a structured approach to explaining how networks work from the inside out. He starts with an explanation of the physical layer of networking, computer hardware and transmission systems; then works his way up to network applications. Tanenbaum's in-depth application coverage includes email; the domain name system; the World Wide Web (both client- and server-side); and multimedia (including voice over IP, Internet radio video on demand, video conferencing, and streaming media. Each chapter follows a consistent approach: Tanenbaum presents key principles, then illustrates them utilizing real-world example networks that run through the entire book—the Internet, and wireless networks, including Wireless LANs, broadband wireless and Bluetooth. The Fifth Edition includes a chapter devoted exclusively to network security. The textbook is supplemented by a Solutions Manual, as well as a Website containing PowerPoint slides, art in various forms, and other tools for instruction, including a protocol simulator whereby students can develop and test their own network protocols.

  • Sales Rank: #66840 in Books
  • Published on: 2010-01-09
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, 2.38 pounds
  • Binding: Paperback
  • 960 pages

From the Back Cover

A contemporary, yet classic, introduction to today's key networking technologies

Computer Networks, Fifth Edition, is the ideal introduction to the networking field. This bestseller reflects the latest networking technologies with a special emphasis on wireless networking, including 802.11, 802.16, Bluetooth™, and 3G cellular, paired with fixed-network coverage of ADSL, Internet over cable, gigabit Ethernet, MLPS, and peer-to-peer networks. Notably, this latest edition incorporates new coverage on 3G mobile phone networks, Fiber to the Home, RIFD, delay-tolerant networks, and 802.11 security, in addition to expanded material on Internet routing, multicasting, congestion control, quality of service, real-time transport, and content distribution.

Authors Andrew Tanenbaum and Davis Wetherall describe the inner facets of the network, exploring its functionality from underlying hardware to applications, including:

  • Physical layer (e.g., copper, fiber, wireless, satellites, and Internet over cable)
  • Data link layer (e.g., protocol principles, protocol verification, HDLC, and PPP)
  • MAC Sublayer (e.g., gigabit Ethernet, 802.11, broadband wireless, and switching)
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  • Application layer (e.g., e-mail, the Web, PHP, wireless Web, MP3, and streaming audio)
  • Network security (e.g., AES, RSA, quantum cryptography, IPsec, and Web security)

The book dissects and depicts the principles associated with each layer and then translates them through examples from the Internet and wireless networks.

About the Authors

Andrew S. Tanenbaum is a Professor of Computer Science at Vrije Universiteteit, Amsterdam, the Netherlands. He is a fellow of IEEE and ACM and a member of the Netherlands Royal Academy of Arts and Sciences. He recently won a prestigious European Research Council Advanced Grant of 2.5 million to do research on highly reliable computer systems. Tanenbaum has also authored or coauthored the following titles: Structured Computer Organization, Fifth Edition; Operating Systems: Design and Implementation, Third Edition; and Distributed Systems: Principles and Paradigms, Second Edition, all published by Prentice Hall.

David J. Wetherall is an Associate Professor of Computer Science and Engineering at the University of Washington in Seattle. He hails from Australia and has worked in the area of networking for the past two decades. His research is focused on Internet protocols, wireless networks, and security. Wetherall's work has been recognized with a Sloan Fellowship, the IEEE Bennett Prize, and the ACM SIGCOMM Test-of-Time Award.

About the Author

Andrew S. Tanenbaum is a Professor of Computer Science at Vrije Universiteteit, Amsterdam, the Netherlands. He is a fellow of IEEE and ACM and a member of the Netherlands Royal Academy of Arts and Sciences. He recently won a prestigious European Research Council Advanced Grant of 2.5 million to do research on highly reliable computer systems. Tanenbaum has also authored or coauthored the following titles: Structured Computer Organization, Fifth Edition; Operating Systems: Design and Implementation, Third Edition; and Distributed Systems: Principles and Paradigms, Second Edition, all published by Prentice Hall.

David J. Wetherall is a Professor of Computer Science and Engineering at the University of Washington in Seattle. He hails from Australia and has worked in the area of networking for the past two decades. His research is focused on Internet protocols, wireless networks, and security. Wetherall's work has been recognized with a Sloan Fellowship, the IEEE Bennett Prize, and the ACM SIGCOMM Test-of-Time Award.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book for those who know a little but want to know a lot more!!
By hollys2424
I work at a tech company as a sales rep but never had any formal computer networking training. I wanted a book that would walk me through each major aspect so that I could build upon it independently. I was getting frustrated trying to learn on my own because everything out there expects you to have fairly deep knowledge on the subject and that isn't the case for me. After reading some of the reviews, I was a little worried that would be the case with this book as well. There are certainly parts that go into the weeds but overall I've found the book very easy to understand and really interesting!

33 of 35 people found the following review helpful.
Excellent Textbook
By rpv
I have read this book in 1990 when it was in second edition. This book in its structure has unchanegd over past 22 years. The technologies have changed from X.25 networks to ATM networks to multi gigabit ethernet networks. some of the fundamental technologies like Ethernet, IP, TCP have largely remains unchanged. IP has its new incarnations in IPv6 which is covered in this edition. The book is fun to read with Tanenbaum's sense of humor. He has many exercises which motivate and make people think deep into the problems. WARNING! It is a giant book. It is a reference book. Don't think you can read, grasp things in one sitting! The fifth edition is very thorough and I checked with the author. A new edition is not coming out soon, so this book should last several years.

0 of 0 people found the following review helpful.
Five Stars
By Gabriel Chartier
Great book on computer networks!

See all 67 customer reviews...

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